Photos A Fulani cattle herder prepares to drive his cattle up the steep banksof the Niger River. Fulani villagers living on the islands in the Niger River prepare for thereturn of their herds. The mudbrick buildings in the villages, whichdate back to the Islamic empires of the Middle Ages, are some of thebest examples of Sudanese architecture in the Sahel region. Before crossing, the herders assemble on the shore with theirhundreds of animals. Owners keep their herds segregated within thelarge group, identifying each beast by its individual natural markings.The herdsmen have named each of their cattle, and taught them torespond to a distinctive flute call if they stray. Young male relatives of the herdsmen who have not accompaniedthe dry season migration come from the village to celebrate thearrival of the herds. Chanting, they wave long round-headed cattlesticks in anticipation of the crossing. As they approach the herds, theyouths belonging to an owner’s family carry a large strip-wovenblanket, which they hold up as a canopy over the heads of the cattlebefore they enter the river. As spectators watch from both sides of the river, two rifle shots arefired to signal the beginning of the great crossing, called Luumbal.Some of the herdsmen swim with their cattle, whipping the waterwith their sticks to spur on the animals. Occasionally, a smaller cow will sink in the fast-moving water, and aherder will pull it to the surface and prod it on its way. On the farshore, herdsmen enter the water to drive the cattle up the slipperybanks. Shallow-draft pirogues make many trips across the river to collectthe herders who have not driven cattle across. Women and childrenwho have traveled with the herdsmen load their few possessions,including the precious hollowed-out gourds called calabashes,aboard the waiting pirogues for the final stage of their homewardjourney. A Fulani woman’s most treasured possessions are her calabashes.Strong and light in weight, the calabashes shown here are workingvessels, used daily to store food and other possessions. Other highlyprized decorated calabashes represent a woman’s wealth, and areused for ceremonial display. Women carry the calabashes on theirheads, balanced on coiled cloths and stacked up to several feet inheight. Great lovers of beauty, the Fulani appreciate individual cattle formore than the wealth they represent. Herders groom and decoratetheir favorites by painting their hides, heads, and horns with paleindigo dye in a variety of geometric patterns based on familyemblems. After the cattle have completed their crossing, the villagers hold acelebration called Yaaral. Performers from a neighboring village ofBozo fishermen, wearing large rectangular masks, conduct a ritualdance to celebrate the success of the crossing. At left: The griot responsible for the tribe’s oral tradition sings to theaccompaniment of his Hoddu lute, extolling the virtues and tellingthe history of each herder family. At right: A musician keeps the beatby rhythmically tapping his silver finger rings on a calabash as hebends his agile body backward in a feat of balance and strength. After their long absence, the return of the young herders stimulatesan intense period of courtship in the village. Seductive eyes areconcealed by mirrored sunglasses, which the young men havebought in market towns on their way home. As evening approaches, the herders radiate flirtatious charm. Young women help one another prepare for these long-awaitedoccasions, adorning themselves with gold and amber jewelry. Thegirls below, whose lips and gums were tattooed with blue ink forbeauty when they were children, wear magnificent large goldearrings called Kwottenai Kanye that only wealthy families can affordto give to their unmarried daughters. The nighttime celebration of the cattle crossing ends with acourtship dance in the market square of the village. Young girls greetthe herders who gather before them. The chosen herder, along withhis best friend, responds by strutting out with rhythmic footstepstoward the semicircle of girls, subtly acknowledging with his eyes thegirl who has chosen him. At the end of the dance the moreadventurous girls indicate the men of their choice by tugging ontheir turbans.